THE FINBOROUGH ARMS 2008 PRODUCTION

For the 1990 Lyric Theatre production click here

An evening that is always troubling, always absorbing - Benedict Nightingale, The Times

	Caroline Faber, Clare Calbraith as The Nettas and Matthew Flynn as Bone

Fidelis Morgan's stage adaptation takes risks with the novel while remaining utterly faithful to its spirit and atmosphere. Her big innovation is to have two actresses playing Netta - one representing the heartless minx in the flesh, the other the idealised version who exists only inside Bone's disturbed mind, sympathising with him in his unhappiness, and urging him to kill the woman who causes him so much humiliation and grief. The two actresses take it in turns to play the two Nettas, creating a powerful theatrical representation of our hero's confusion and tangential connection to reality... Theatrical justice has been done to a great novel I cannot recommend too highly.- Charles Spencer, Daily Telegraph

	Clare Calbraith, Matthew Flynn and Caroline Faber

Alcoholics frequently have blurred vision, but the clever thing about Fidelis Morgan's adaptation of Patrick Hamilton's novel is that it makes the audience actually see double. There are always two Nettas on stage. One is the small-time femme fatale who is the object of the gin-soaked George Harvey Bone's obsession; the other Netta is the insistent voice in George's head who is constantly whispering that he must kill the thing he loves - the woman who uses and humiliates him. It is an intriguing theatrical device…This finely acted, sourly seductive evening is clear-eyed about the transactions we make with ourselves and others, and leaves the authentic vinegary tang of the morning after the night before in its wake.- Lyn Barber, The Guardian

Fidelis Morgan’s adaptation is vivid and poetic. - The Stage

	Gyuri Sarossy and Clare Calbraith

Fidelis Morgan’s accomplished stage adaptation of Hamilton’s 1914 novel returns the action to its original home, being staged in Earl’s Court’s Finborough Theatre… The dark surrealism of Hamilton’s novel is expertly transferred to the stage in this wily production that recognises the value of subtlety and manages to carry the audience with it on a twisted journey of anxiety, and personal daemons. - What’s On Stage

	Caroline Faber and Matthew Flynn

The semi-autobiographical Hangover Square (1941) tells the deeply unpleasant tale of an alcoholic named George Harvey Bone and his infatuation with Netta Longdon, a callous small-time actress who exploits him for money while entertaining lovers under his nose. Given the subject matter, Fidelis Morgan’s stage adaptation doesn’t make for easy viewing. Via George’s drink-sodden consciousness, we enter a claustrophobic world of emotional torment and sexual frustration. For instance, when George finally persuades Netta to join him for a romantic break in Brighton, she goes to bed with someone else. Jilted George wakes up to be repeatedly told that Netta and her conquest have been thrown out of the hotel because their lovemaking was too noisy. It’s little details like this that make Hamilton a true poet of humiliation.

The Hamilton universe is perfectly captured in Gemma Fairlie’s well-acted production. With his air of perpetual bafflement and deeply ringed eyes, Matthew Flynn’s George is perversely attractive. The device of having two Nettas (Clare Calbraith and Caroline Faber), perhaps intended to suggest George’s schizophrenia or merely the double vision of the drunk, carries the narrative forward and provides an engaging visual enigma. Enlivened with deft period touches, it’s brilliantly accomplished – if unlikely to send you home with a song in your heart. - Time Out

	Clare Calbraith and Matthew Flynn